Rediscovering Paul Jacoulet

One of Paul Jacoulet's subjects and his work of art
One of Paul Jacoulet's subjects and his work of art

Working as a journalist, I've often found myself captivated by stories that weave together history, culture, and art. So when I stumbled upon the tale of Paul Jacoulet, a French painter whose woodblock prints immortalized the faces and landscapes of Micronesia in the 1930s, I was immediately intrigued.

Jacoulet's journey, chronicled by Dr. Donald Rubinstein, a professor at the University of Guam, was nothing short of extraordinary. Armed with a list of names scribbled in French on the backs of Jacoulet's sketches, Dr. Rubinstein embarked on a quest to uncover the living descendants of the artist's subjects, tracing familial ties and unraveling cryptic messages along the way.

Paul Jacoulet's painting on the cover of Island Locator Magazine on Saipan The sheer dedication and meticulousness of Dr. Rubinstein's pursuit left me in awe. From sifting through historical archives to forging bonds with Jacoulet's surviving heir, Therese Inagaki, Dr. Rubinstein's journey was a testament to the power of curiosity and passion in preserving cultural heritage.

As I delved deeper into Jacoulet's story, I couldn't help but be dazzled by the genius of his artwork. Each print seemed to capture the essence of island life, transcending time and cultural barriers to evoke a sense of awe and wonder. His sketches, adorned with cryptic notes and hidden narratives, were like windows into a world long forgotten.

One of Paul Jacoulet's many paintings with Micronesians as his subjects. Yet, amidst the whispers of forgotten tales and faded sketches, Dr. Rubinstein's quest continued—a beacon of hope in preserving Jacoulet's legacy for generations to come. And as I followed his journey, I couldn't shake the feeling that I was witnessing something truly special—a testament to the enduring allure of art and the human spirit.